Archive for the ‘Post Card’ Category

As your collection begins to increase in size the inevitable question of where and how to keep them crops up. The method you choose will ultimately depend on what you want from your collection. Do you, for instance, want it to look like an original Edwardian collection filled with Aunties cards from the attic? Then original albums with their decorated front covers are for you. Maybe you’d like to display your cards with a write up about them close at hand? In cases like this it would probably be best to make your own albums from ring files, cardboard sheets and photo corners, thus giving you the opportunity to include the write up with interleaving for added protection.

However, for the vast majority of collectors the main alternatives are either albums or postcard boxes. Old albums designed in the Edwardian era for the first collectors to keep their cards are certainly very attractive and will give your collection a period feel. They are often hard to find though and their pages so fragile that taking cards in and out tears the slots into which the corners of the postcard are fitted. This taking in and out can also damage the cards as well. Also another disadvantage of original albums is that the reverse of the card is not visible. Often the message is as interesting as the image and it is nice to be able to see it without having to remove the card. Luckily you need not be concerned as there are many types of modern albums available. These vary in size from two, four or six cards per page. The pages are plastic leaves and the cards slide into a pre-made slot. They are designed for either horizontal or vertical cards so check the make up of the album and your collection before you buy. Also make sure that the plastic used is acid free as there is some concern about the long term affects of keeping cards in albums where non acid-free plastic has been used. One of the many advantages of this type of album is that once it’s full additional pages can be purchased at a relatively small cost. In addition white cards could be added to adjoining pockets to display any write up you may wish. Your collection will look impressive to everyone you show it to without the need to handle the cards.

Most of this information comes straight from the Post Card pros. Careful reading to the end virtually guarantees that you’ll know what they know.

Another way to house your cards is either in a shoe box or a specially made postcard box which can hold between 400 and 500 cards. If you decide on this method of storage you should consider to use one of the many types of individual paper or plastic envelopes available so that each of your cards can be protected against damage and continual handling. Handling is after all one of the joys of postcards. Also, if your collection falls under different headings dividers can be used to separate them.
Finally, if you need to carry cards with you when you visit fairs etc. to show dealers the type of card you are looking for, small wallets are available that hold about twenty cards and fit into most pockets! Where do you buy all there various accessories? The answer couldn’t be simpler. You will find them on sale at most large postcard fairs or of course the internet.

Sometimes it’s tough to sort out all the details related to this subject, but I’m positive you’ll have no trouble making sense of the information presented above.

About the Author
By Anders Eriksson, feel free to visit his new site for adsense publishers: Free Adsense Websites

Postcards are a handy and often inexpensive way to get your name out there and stay in touch. You can use them for a variety of things such as a first contact vehicle, announcing a move or a new service. Some folks like to use them as a leave behind or a follow up after a meeting.

You can use a postcard campaign as an introduction to prospects. Like adding to the old client roster. You can use oversized – 8.5″ x 5.5″ and printed full color on one side and black & white on the reverse side. The campaign consists of four postcards. It is good to trade services if you can. People love to barter their services especially a printer plus bartering can be a lot of fun. A barter deal like this might be just the ticket for you.

With the postcards all there is to do is gain some name recognition like top of mind awareness. Coming up with quirky catch phrases, slick picture or just a photo of something that expresses what you or your company is all about will make an image in the clients mind.

Truthfully, the only difference between you and Post Card experts is time. If you’ll invest a little more time in reading, you’ll be that much nearer to expert status when it comes to Post Card.

A good thing to do is to gather your prospect contact info and mail out one card each week for four weeks. Timeing the mailing so they’ll receive them midweek. Mondays and Fridays are bad since folks are getting over the weekend or looking forward to it. During the fifth week it is good to make a phone call to follow up and ask for an appointment to see if there’s a fit for both of you.

The trick here is to first prequalify the prospects as best you can. You’ll do more qualifying when you follow up. Next, keep the mailing small for this type of campaign. Doing these in groups of twenty to twenty-five. Anymore than that can be overwhelming for follow up calls. Announcements and such can be larger, wide net mailings. For this type of campaign it’s important to remember that if you don’t follow up you’re potentially wasting your time and money.

This technique will work well for you if you work it. Even in todays high tech e-mail world the touch of a personal note is well received. It’s good to ask though if you can add them to your contact list for e-mailed news releases and little “infos” to send out periodically like links to articles, useful sites I find etc. just to stay in touch.

Knowing enough about Post Card to make solid, informed choices cuts down on the fear factor. If you apply what you’ve just learned about Post Card, you should have nothing to worry about.

About the Author
By Anders Eriksson, feel free to visit his new site for adsense publishers: Free Adsense Websites

Imagine the next time you join a discussion about Post Card. When you start sharing the fascinating Post Card facts below, your friends will be absolutely amazed.

History of erotic postcards refers to the history of the art and process of taking pictures of unclothed subjects. In the United States all portraits from prior to January 1, 1923 have passed into the public domain. Most are in black-and-white, since they predate the 1953 invention of Kodachrome.

Early beginnings

Nude pictures prior to 1835 generally consisted of paintings and drawings. That year, Louis-Jacques-Mende’Deguerre’invented the first practical process of photography. Unlike earlier photographs, his daguerreotypes had stunning quality and did not fade with time. The new technology did not go unnoticed by artists eager for new ways to depict the undraped feminine form. Many of the surviving examples of daguerreotypes clearly have a sensuality that implies they were designed as erotic or pornographic images.

The daguerreotypes were not without drawbacks, however. The main difficulty was that they could only be reproduced by photographing the original picture. In addition, the earliest daguerreotypes had exposure times ranging from three to fifteen minutes making them somewhat impractical for portraiture. Since one picture could cost a week’s salary, the audience for nudes mostly consisted of artists and the upper class of society. Nude stereoscopy began in 1838 and became extremely popular. In 1841, William Fox Talbot patented the calotype process which was the first negative-positive process making possible multiple copies. The technology was immediately used to reproduce nude portraits.

French influence

The French pioneered erotic photography producing nude postcards that became the subject of an officers letter to President Abraham Lincoln after they were found in the possession of US troops according to An Underground Education by Richard Zacks. A Brief History of Postcards explains, “A majority of the French nude postcards were called postcards because of the size. They were never meant to be postally sent. It was illegal at that time.” Instead, nudes were marketed in a monthly magazine called the “La Beaute” that targeted artists looking for poses. Each issue contained 75 nude images which could be ordered by mail in the form of postcards hand-tinted or sepia toned. Street dealers, tobacco shops and a variety of other vendors bought the photographs for resale to American tourists.

The more authentic information about Post Card you know, the more likely people are to consider you a Post Card expert. Read on for even more Post Card facts that you can share.

Early 20th century

The early 1900s saw several important improvements in camera design, including the 1913 invention of the 35-mm or “candid” camera by Oskar Barnack of the Ernst Leitz company. The Ur-Leica was a compact camera based on the idea of reducing the format of negatives and enlarging them later after they had been exposed. This small portable device made nude photography in secluded parks and other semi-public places easier. It was a plus for amateur erotica. Artists were enamored with their new ability to take impromptu photos without carrying around a clunky apparatus.

Early 20th century artist E.J. Bollocq is best remembered for his down-to-earth pictures of French prostitutes in domestic settings in the red light district of New Orleans. In contrast to the usual pictures of women awkwardly posed amid drapery, veils, flowers, fruit, classical columns and oriental braziers, Bellocq’s sitters appear relaxed and comfortable.
Julian Mandel became known in the 1920s and 1930s for his exceptional photographs of the female form. Participating in the German “new age outdoor movement,” A John Hopkins University scholarship was named in his honor.
Another noteworthy nude photographer of the first two decades of the 20th century was Arundel Holmes Nicholls. His work, featured in the archives of the Kinsey Institute, is artistically composed often giving an iridescent glow to his figures. Following in Mandel’s footsteps, Nicholls favored outdoor shots.

Many photographs from this era are damaged; Bellocq, for instance, frequently scratched out the faces of his sitters to obscure their identities. Some of his other sitters were photographed wearing masks as well to hide who they were.

Sometimes it’s tough to sort out all the details related to this subject, but I’m positive you’ll have no trouble making sense of the information presented above.

About the Author
By Anders Eriksson, feel free to visit this new site for my swedish customers: Billigt Webbhotell – from SEK 10:- per month!

Early 20th-century postcards manufactured for the Fourth of July were very popular. Thousands of colorful cards featured such themes as Uncle Sam, the Goddess of Liberty, eagles, cannons, flags, liberty bell, fireworks, Statue of Liberty, Native Americans, Revolutionary War figures, nautical subjects, and the nation’s founders. From the early 1900s the production of postcards neatly coincided with the Safe and Sane movement that was initiated in a number of major cities to get dangerous fireworks away from the public. Many cards demonstrated the seriousness of this issue but interestingly did so in a humorous vein. One popular card included the message: How to prevent your boy being killed on the Fourth of July-kill him on the third.

Cards, for the most part, were typically sold in sets of six. Illustrators such as Ellen Clapsaddle and E. Nash were household names to those who collected these cards. Ellen H. Clapsaddle (1865-1934) was active in New York and later in Germany in the early 20th century creating illustrations for thousands of postcards. Her focus was mostly children. She worked for the International Art Company and produced an imaginative series of Fourth of July cards.

Knowledge can give you a real advantage. To make sure you’re fully informed about Post Card, keep reading.

“Greeting” cards often included verse that was similar to Fourth of July poetry published in newspapers at that time. The quality was mediocre at best. Examples include: “Day of flags and cannon and jubilee! Guarded well, gloried in, so may it ever be” and “Oh spirit of honor of freedom of peace! Guard well with a vigil that never shall cease.” The sense of guarding the nation’s freedom and the idea of stewardship was a common notion that all shared and continue to share today. Still the 4th of July Postcards were the favorite of their day and are quite collectible in our times. The brilliant colors and the obvious patriotism that was prevalent in our nation during these periods shined through.

Patriotism is the heartbeat of America and even though times get turbulent the Americana postcards of the past and present still hold dear to the hearts of Americans and reminders of past 4th of Julys where our nation celebrated her birth. Despite wars, social issues and political differences Americans celebrate the birth of their country with honor and respect for the nation they love and are proud to be a part of. The history alone of the 4th of July postcards and the careful thought taken to the words of the cards shows the reverence that we hold past present and future of our nation. The cards are great ways to remember past celebrations and to share present ones.

I hope that reading the above information was both enjoyable and educational for you. Your learning process should be ongoing–the more you understand about any subject, the more you will be able to share with others.

About the Author
By Anders Eriksson, feel free to visit my latest acquisition: Adsense Sites and make sure to download the free adsense sites package!

Are we there yet? Everyone remembers those long family vacations which inadvertently someone asked that question. Family after family has stumbled across the unexpected treasures and comical gems that comprise America’s tourist traps. Decade after decade families have used souvenir postcards to share their discoveries with friends and family. Destinations like national parks, world’s fairs and scenic wonders, along with side attractions from Indian teepees to alligator farms. They have all been commemorated on postcards now beloved by collectors.

Many of the cards reflect on travel and tourism in this country and are especially intriguing if the travelers who bought them had a flexible schedule and allowed themselves to be drawn off the road to see something special.
The attraction could have been a cave, a wood carver, a dinosaur park or maple syrup farm where they have the opportunity to watch the making of the sap to the syrup.

Or maybe it was cars driving through tunnels cut in big trees in the West Coast forests. These postcards may indicate an environmental unawareness on the part of the average motorist of the time but some of them give a glimpse into the evolution of American cars. They show the 1930s, 1940s, and 1950s models going through the same tree. The earliest card is dated 1915.

I trust that what you’ve read so far has been informative. The following section should go a long way toward clearing up any uncertainty that may remain.

Of course states, towns and cities have long used postcards to advertise themselves. A lot of the time in the most creative, colorful and amusing ways. An entire genre of cards featuring gigantic produce, fish and animals to boast of a region’s greatness has augmented the nations store of folk humor since the beginning of the century.
Years ago, magazines and newspapers used few illustrations and small town publications did not use any before about 1915. There was no radio or TV and few telephones so postcards filled that void. The album of postcards was the mainstay of the parlor. A great find for any collector today would be to uncover someone’s grandma’s postcard album in a trunk up in the attic.

Major disasters such as the 1906 San Francisco earthquake were popular subjects for postcards. Tourists collected and sent them to the folks back home to let them know what had happened.

While traveling it was easy for you to get a card and a one-cent stamp and then write a note to your family to let them know you had arrived safely and that would put your loved ones at ease. A picture was worth the a thousand words and postcards were popular with people who were not particularly literate. The diversity of the postcards found along the journey proves traveling the roads of America was quite an adventure which still brings much delight today to the beginner and most advid collectors.

Of course, it’s impossible to put everything about Post Card into just one article. But you can’t deny that you’ve just added to your understanding about Post Card, and that’s time well spent.

About the Author
By Anders Eriksson, feel free to visit my latest acquisition: Adsense Sites and make sure to download the free adsense sites package!

Would you like to find out what those-in-the-know have to say about Post Card? The information in the article below comes straight from well-informed experts with special knowledge about Post Card.

For ancestors who lived during the 20th century, postcards are a delightful way to learn more about their lives and communities. Picture postcards were very popular worldwide by the dawn of the 20th century due to their novelty and the fact that postage was cheap. From automobiles to street scenes and hairstyles to people, postcards provide intriguing glimpses into the past.

If you are lucky enough to have postcards sent or received by your ancestors you may learn unknown information about the family, gain handwriting samples and even find addresses to help you track family movements and history. Even if you aren’t fortunate enough to have access to a family postcard collection, you can often find postcards depicting your ancestor’s hometown, clothing styles of the time period, types of employment etc. A good place to start is with the local historical society or library in the area in which your ancestor lived or at local antique stores. Many postcard collections are also beginning to spring up on the internet. Look to postcards as a wonderful alternative to photographs for illuminating the lives of your ancestors and of days gone by.

You may not consider everything you just read to be crucial information about Post Card. But don’t be surprised if you find yourself recalling and using this very information in the next few days.

Turning yesterdays mail Into genealogy treasures is becoming a sought after collection!
How awesome would it be to find a hand written letter from a grandparent forty years after they have passed away. Think about the anticipation at your family reunion when you and all your relatives open the letters your ancestors wrote one hundred years earlier. That would be incredible information and exciting too. Did your ancestor write down and pass on stories that were otherwise lost or distorted by failing memories and word-of-mouth recollections? The written word survives long beyond man’s ability to recall. Imagine the enjoyment you will get learning thoughts and wisdom of someone you never got the chance to know as a child. Heart warming to say the least. Your ancestors words are the most precious gift of all especially for a surviving loved one or generations yet to come.

These postcards and letters also provide wonderful factual information that is helpful to your genealogy research. You won’t have to go into the daunting task blindsighted. On the items it’s possible to find dates and places of important events, names of other family members, and of course addresses. Postcards play an important part in everyone’s genealogy if only from the standpoint of America or the immigration of our ancestors. There is a place in all of us that wants to know our roots so to speak and postcard genealogy is one of the many ways to bring our ancestors back to life.

Now that wasn’t hard at all, was it? And you’ve earned a wealth of knowledge, just from taking some time to study an expert’s word on Post Card.

About the Author
By Anders Eriksson, feel free to visit my latest acquisition: Adsense Sites and make sure to download the free adsense sites package!

The following article covers a topic that has recently moved to center stage–at least it seems that way. If you’ve been thinking you need to know more about it, here’s your opportunity.

DIVIDED BACK ERA (1907-1915)

As of March 1, 1907, the divided back postcard came into circulation. They quickly became more popular because they allowed senders to write the address and the message on the back of the card. The address had to be written on the right side of the back of the postcard while the left side was reserved for writing messages. Postcards from this period are most collectible when they do not have writing on the front. At this time in American history the postcard hobby became a huge public addiction. Publishers printed millions of cards in this era. Most postcards were printed in Germany which was the world leader in lithographic processes. At the height of the countrywide postcard hunger, WWI caused a crash in the hobby. The advent of WWI caused the supply of postcards from Germany to end. Poorer quality postcards came from English and U.S. publishers. The lower quality of printed postcards, recurrent influenza epidemics, and WWI war shortages killed the American postcard hobby. During the war years, the telephone replaced the postcard as a fast, reliable, means to keep in touch.

WHITE BORDER ERA (1915-1930)

When imports from Germany ceased in the first World War, the U.S. began printing postcards to fill the void. Unfortunately, this also ended the “Golden Age” of postcards. After WWI, the German publishing industry was never rebuilt. Other European publishers were forced out of the U.S. market by high tariff rates. Most locally available postcards were printed by U.S. publishers during this period. On view postcards, to save ink, a white border was left around the view, and that is why we call them “White Border” postcards. The higher costs of post-war publishing combined with inexperienced labor caused production of poorer quality cards. Movies, as they were, replaced postcards as a visual experience. Higher competition in a rapidly narrowing market caused many publishers to go out of business. On the other hand, real photo postcard publishers enjoyed great success. Various types of rotary drum negative imprints allowed runs of thousands of postcards of a particular image. Roadside postcard racks contained a great variety of these images.

LINEN ERA (1930-1945)

The information about Post Card presented here will do one of two things: either it will reinforce what you know about Post Card or it will teach you something new. Both are good outcomes.

In the 1930s, postcard printing in the United States improved. Publishers began using linen-like paper with a high rag content. These types of cards are very popular with collectors today. Of particular interest are Roadside America, Blacks, Comics and Advertising genres.

New American printing processes allowed printing on postcards with a high rag content. This was a marked improvement over the White Border postcard. The rag content also gave these postcards a textured feel to them. They were also cheaper to produce and allowed the use of bright dyes for image coloring. They proved to be extremely popular with raodside establishments seeking cheap advertising. Linen postcards document every step along the way of the building of America’s highway infra-structure. Most notable among the early linen publishers was the firm of Curt Teich. The majority of linen postcard production ended around 1939 with the advent of the color chrome postcard. However, a few linen firms, mainly southern, published well into the late 1950s. Real photo publishers of black & white images continued to have success.

Faster reproducing equipment and lowering costs led to an explosion of real photo mass produced postcards. Once again a war interfered with the postcard industry (WWII). During the war, shortages and a need for military personnel forced many postcard companies to reprint older views when printing material was available.

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By Anders Eriksson, who just launched this great product..
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Have you ever wondered what exactly is up with Post Card? This informative report can give you an insight into everything you’ve ever wanted to know about Post Card.

No hobby quite compares with collecting postcards in the way it caters for all interests. Whether you’re a football fan, mad about the royal family, fascinated with American Presidents, keen on local history, a railway buff or a student of zoology, picture postcards offer you a marvelous stimulus for your hobby. And for those merely nostalgic and interested in the events and fashions of the past century, the postcard encapsulates it all.

Postcards are fascinating and collectable in lots of different ways. Each example is a snapshot of the past: a moment, a slice of social history, frozen in time. Every postcard that has gone through the post tells you a little bit about its place in the bygone world. The picture, stamp, postmark, message and address are part of the life of two people…the sender and the recipient but in the past. Few collectors are lucky enough to find a postcard written by a famous person, but many writers referred to current events in their messages.

So far, we’ve uncovered some interesting facts about Post Card. You may decide that the following information is even more interesting.

Postcards provide a panorama of the events of the twentieth century: inaugurations, sporting events, horrific accidents, local events, great exhibitions, world wars. They show the development of rail, road, sea and air transport. They feature actresses, bishops, politicians, evangelist and star gazers. Also anyone who might be newsworthy and heroic. National firms published cards of countrywide interest, while in every town and city were local photographers who recorded all the interesting events of the day and published them as picture postcards. So a photograph of the annual sports in a village could be mailed anywhere in America or the world to friends and relatives. The local railway station, cinema, hospital, church or school would appear on a card. Anything that was part of a community was a likely subject for publishers to use.
Some of the world’s best known serious and comic artists of the early 20th century had their work featured on postcards, including art nouveau exponents Alphonse Mucha and Raphael Kirchner. In Britain, Mabel Lucie Attwell’s children, Alfred Quinton’s landscapes, Louis Wain’s cats, Tom Browne’s ordinary people, and Donald McGill’s henpecked husbands can all be found on cards.

With such a wide choice of fascinating postcards to collect there really is plenty to suit anyone’s pocket. Even some cards a century old can cost just a few dollars, the best street scenes attract prices in excess of forty dollars. Special subject cards like theTitanic, Popes and football teams can rate over one hundred dollars. More mundane themes like flowers, churches and country views can be bought cheaply. Age doesn’t always provide an indication of expense either for a card from the 1970′s may sell for more than one from the Edwardian era. Whatever their subject or price postcards can be and are fascinating! Postcards have been entertaining the world, used for many purposes, kept lovers connected and imprinted society with history to pass down through the generations to come. The fascination of postcards has never nor will ever go out of style no matter how high tech the world gets.

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By Anders Eriksson, who just launched this great product..
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In 1894, British publishers were given permission by the Royal Mail to manufacture and distribute picture postcards which could be sent through the mail. Early postcards were pictures of famous landmarks, scenic views, photographs, lighthouses, animals or drawings of celebrities and so on. With steam locomotives providing fast and affordable travel the seaside became a popular tourist destination. The steam locomotives generated its own souvenir industry. The picture postcard was, and is, an essential staple of this industry.

In the early 1930′s cartoon style saucy postcards became widespread and at the peak of their popularity the sale of saucy postcards reached a massive 16 million a year. They were often tacky in nature making use of innuendo and traditionally featured stereotypical characters such as priests, large ladies and put-upon husbands in the same vein as the Carry On films. In the early 1950′s, the newly elected Conservative government were concerned at the apparent deterioration of morals in Britain and decided on a crackdown on these postcards. The main target on their hit list was the renowned postcard artist Donald McGill. In the more liberal 1960′s the saucy postcard was revived and became to be considered, by some, as an art form. This helped its popularity and once again they became an institution.

It seems like new information is discovered about something every day. And the topic of Post Card is no exception. Keep reading to get more fresh news about Post Card.

However, during the 1970′s and 1980′s, the quality of the artwork and humor started to deteriorate with changing attitudes towards the cards content. The demise of the saucy postcard occurred due to the moral climate and lack of consumer purchase. Original postcards are now highly sought after and rare examples can command very high prices at auction. The best known saucy seaside postcards were created by a publishing company called Bamforths, based in the town of Holmfirth, West Yorkshire, England.

Despite the decline in popularity of postcards that are overtly saucy, postcards continue to be a significant economic and cultural aspect of British seaside tourism. Sold by newsagents and street vendors as well as by specialist souvenir shops. Modern seaside postcards often feature multiple depiction’s of the resort in unusually favorable weather conditions. These continuously draw tourist to the seaside. The use of saturated color and a general departure from realism have made the postcards of the later twentieth century become collected and desired by undiscriminating taste. Such cards are also respected as important documents of social history and have been influential on the work of Martin Parr.

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By Anders Eriksson, who just launched this great product..
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When the picture postcard fad hit America nearly a century ago, publishers found a ready market for special greeting cards for every holiday including New Year’s. The public eagerly purchased seasonal postcards to exchange with relatives, friends, neighbors and co-workers. They were also lovingly saved in keepsake albums.
New Year’s Day items were especially attractive because of their superior artistic designs and the fascinating array of seasonal features found on them. Nearly every theme and topic associated with New Year throughout the centuries found its way onto the different postcards crafted by countless artists in the earliest years of the century which would be from 1900 to about 1916. Both domestic and imported cards featured grandfather clocks, watches, father time and lovely women and radiant angels.

Though they often relied on traditional symbols and motifs, American illustrators did drawings in a more modern style than did their counterparts in Europe. Holiday revelers in autos were heavily favored by International Art Pub. Co. (New York City). Funny scenes of tipsy gentlemen and other portrayals of holiday celebrating are characteristic of American made New Year’s Day postcards. Artists such as Ellen Clapsaddle, Frances Brundage, and H. B. Griggs (“HBG”) have always commanded a great amount of attention from collectors.

So intense was the competition that many companies resorted to adding extra attractions to their cards. Nearly all quality cards automatically came embossed and many were embellished with gelatin coatings, gold and silver etchings, and gold backgrounds. Tinsel was added and edges scalloped. Also marketed were blank check postcards in which the recipient received a “check” good for “a million joys in the coming year,” or something similarly whimsical attachment of every kind were applied. The list includes die-cuts of flowers, horseshoes, doves and little notes in tiny envelopes. A number of “magic light” varieties such as hold-to lights and transparencies enjoyed brisk sales.

You can see that there’s practical value in learning more about Post Card. Can you think of ways to apply what’s been covered so far?

Quite often, especially after 1910, many publishers and distributors took old stocks of other postcard topics including scenes of animals, children and lovely ladies then overprinted them with all sorts of New Year’s greetings.
Among foreign publishers, none was more prolific or produced better cards than Raphael Tuck & Sons. The London firm exported huge numbers of holiday postcards to this country. Their artists favored charming children, beautiful women and Father Time. However, floral designs were also used extensively.

The modern day folded greeting card and envelope came into prominence in the 1920s and has remained the standard ever since. Very little modern activity has ever occurred in regard to New Year’s Day postcards.
Today’s collectors are very lucky in that a vast amount of New Year’s Day postcards is still available. Prices, except for about 10% of the very best and most beautiful cards tend to be a bit lower than those for other holidays. It is still possible to put together a very good collection of the New Year holiday.

You can’t predict when knowing something extra about Post Card will come in handy. If you learned anything new about Post Card in this article, you should file the article where you can find it again.

About the Author
By Anders Eriksson, who just launched this great product..
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